The second in a series of conversations about the transiency of FoAM bxl. We asked ourselves what it might be like to have FoAM bxl become a nomadic or migratory organisation/network without a fixed studio.
Migrating birds in Lithuania: a network of Lithuanian émigrés who meet once a year in a 1-week workshop, for the rest online communication and updates, using the network as a resource to find collaborators; emails are sporadic, sometimes amn increase in volume for a few days, then nothing for months. It has a clear and simple purpose and doesn’t require much from its members
Farmersmanual: a pan-european disturbance conglomerate (aka laptop band). After giving up their studio in Vienna and moving to other European countries, they began working from lounge rooms, performance venues and/or bars (whatever’s available). Online communication became more important. Collaboration happened based around shared interests and opportunities. working together primarily centred around performances and events (fixing logistics, designing performances, finding spaces to work and perform interspersed with ecstatic tinkering). Note that collaboration reduced as members dispersed (causation? corrolation?).
(a few other listserv-centric networks were mentioned. primary communication online, occasional subgroup coordination IRL)
FoAM already functions as a nomadic meeting place for people who aren’t core team members: drop in, stay and/or work for a while, catch up with people and move on. In our case this still needs a group of people to be more or less sedentary to maintain a space that others can move in and out of. Would it still work if we didn’t have the studio, nor means to house people?
Some other examples mentioned in nomadic studios include The Unknown Fields Division, Boat Magazine
* independent means for each member, with a shared pool of money to finance joint activities