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Let us begin with a disclaimer: This lecture discusses techniques often frowned upon in our techno-materialist society. If some of what I say sounds dubious, please substitute our words with others that you might be more comfortable with. Magic, for example, can otherwise be referred to as “advanced technology”. Those who resonate with ceremony may be comfortable with spirits and spells, while those of you who align yourselves with more pragmatic lineages might prefer calling these things “clear mind” or “prayer” or “contemplation”. And - for the more hardline - rationalists or skeptics, you can consider this as an experiment in meta-belief. | Let us begin with a disclaimer: This lecture discusses techniques often frowned upon in our techno-materialist society. If some of what I say sounds dubious, please substitute our words with others that you might be more comfortable with. Magic, for example, can otherwise be referred to as “advanced technology”. Those who resonate with ceremony may be comfortable with spirits and spells, while those of you who align yourselves with more pragmatic lineages might prefer calling these things “clear mind” or “prayer” or “contemplation”. And - for the more hardline - rationalists or skeptics, you can consider this as an experiment in meta-belief. | ||
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Like ceremonial magic, myths and fairy tales, this lecture relies on ritual repetition. It is made from an amalgamation and rewilding of words, sounds and images from other places and other times. | Like ceremonial magic, myths and fairy tales, this lecture relies on ritual repetition. It is made from an amalgamation and rewilding of words, sounds and images from other places and other times. | ||
- | During the lecture we will venture near some " | + | During the lecture we will venture near some " |
So make yourself comfortable, | So make yourself comfortable, | ||
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In a world enthralled by market economics, sooner or later every artist is faced with the existential question—How do I finance my work? Day jobs? Commissions? | In a world enthralled by market economics, sooner or later every artist is faced with the existential question—How do I finance my work? Day jobs? Commissions? | ||
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Until we stop taking ourselves so seriously (or not seriously enough). Until our individual identities are shattered and smeared and re-congealed innumerable times. Until we understand that we exist because of and despite relating to everything else. Until we understand that we are hydrogen ripped from its context, mixed with the dust of dead stars. That we are endlessly recycled water and crystalising cyclones. That we are teeming civilisational hosts. Most importantly, | Until we stop taking ourselves so seriously (or not seriously enough). Until our individual identities are shattered and smeared and re-congealed innumerable times. Until we understand that we exist because of and despite relating to everything else. Until we understand that we are hydrogen ripped from its context, mixed with the dust of dead stars. That we are endlessly recycled water and crystalising cyclones. That we are teeming civilisational hosts. Most importantly, | ||
- | Take heed from the Overstory. | + | Take heed from the Overstory. |