Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision Next revisionBoth sides next revision | ||
dark_arts [2020-02-21 23:37] – nik | dark_arts [2020-02-21 23:41] – nik | ||
---|---|---|---|
Line 1: | Line 1: | ||
==== Dark arts, grey areas and other contingencies ==== | ==== Dark arts, grey areas and other contingencies ==== | ||
- | |||
- | ---- | ||
(variously; [[https:// | (variously; [[https:// | ||
[[https:// | [[https:// | ||
+ | ---- | ||
Let us begin with a disclaimer: This lecture discusses techniques often frowned upon in our techno-materialist society. If some of what I say sounds dubious, please substitute our words with others that you might be more comfortable with. Magic, for example, can otherwise be referred to as “advanced technology”. Those who resonate with ceremony may be comfortable with spirits and spells, while those of you who align yourselves with more pragmatic lineages might prefer calling these things “clear mind” or “prayer” or “contemplation”. And - for the more hardline - rationalists or skeptics, you can consider this as an experiment in meta-belief. | Let us begin with a disclaimer: This lecture discusses techniques often frowned upon in our techno-materialist society. If some of what I say sounds dubious, please substitute our words with others that you might be more comfortable with. Magic, for example, can otherwise be referred to as “advanced technology”. Those who resonate with ceremony may be comfortable with spirits and spells, while those of you who align yourselves with more pragmatic lineages might prefer calling these things “clear mind” or “prayer” or “contemplation”. And - for the more hardline - rationalists or skeptics, you can consider this as an experiment in meta-belief. | ||
Line 16: | Line 15: | ||
---- | ---- | ||
+ | |||
+ | {{> | ||
+ | |||
+ | ---- | ||
In a world enthralled by market economics, sooner or later every artist is faced with the existential question—How do I finance my work? Day jobs? Commissions? | In a world enthralled by market economics, sooner or later every artist is faced with the existential question—How do I finance my work? Day jobs? Commissions? | ||
Line 145: | Line 148: | ||
Until we stop taking ourselves so seriously (or not seriously enough). Until our individual identities are shattered and smeared and re-congealed innumerable times. Until we understand that we exist because of and despite relating to everything else. Until we understand that we are hydrogen ripped from its context, mixed with the dust of dead stars. That we are endlessly recycled water and crystalising cyclones. That we are teeming civilisational hosts. Most importantly, | Until we stop taking ourselves so seriously (or not seriously enough). Until our individual identities are shattered and smeared and re-congealed innumerable times. Until we understand that we exist because of and despite relating to everything else. Until we understand that we are hydrogen ripped from its context, mixed with the dust of dead stars. That we are endlessly recycled water and crystalising cyclones. That we are teeming civilisational hosts. Most importantly, | ||
- | Take heed from the Overstory. | + | Take heed from the Overstory. |