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maria_lucia [2011-10-19 13:37] – created christina | maria_lucia [2011-10-23 13:47] – lucia | ||
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- | “ Political ecology is the end of Nature” | + | ****“ Political ecology is the end of Nature” |
Bruno Latour, | Bruno Latour, | ||
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- | Project Diagnosis: | + | **Project Diagnosis:** |
Ontological Ecology of echoes | Ontological Ecology of echoes | ||
- | | + | “When Nature takes back, a social story”** |
- | 1. Concept | + | 1. Concept |
- | 2. Trajectory/ background | + | 2. Trajectory/ background |
- | 3. Symptoms: illness/ | + | 3. Symptoms: illness/ |
- | 4. Science and art | + | 4. Science and art |
5. The House | 5. The House | ||
- | 5.1. Concept | + | 5.1. Concept |
- | 5.2. Description of the Structure | + | 5.2. Description of the Structure |
- | 5.2.1. Security measurements | + | 5.2.1. Security measurements |
- | 5.2.2. External visitors and collaboration | + | 5.2.2. External visitors and collaboration |
- | 5.2.3. After the end: What is left? | + | 5.2.3. After the end: What is left? |
6. Performance | 6. Performance | ||
- | 6.1. Concept | + | 6.2. Duration |
- | 6.2. Duration | + | |
7. Research | 7. Research | ||
- | 7.1. Methodology | + | 7.1. Methodology |
- | 7.2. Research and Residencies | + | 7.2. Research and Residencies |
- | 8. Collaborations/ | + | 8. Collaborations/ |
+ | ** | ||
+ | - 1-Concept** | ||
- | 1-Concept | ||
Everything that lives and cohabits on earth is composed by mechanisms of living processes: animist encounter on reading the traces of life, growth and infiltration. | Everything that lives and cohabits on earth is composed by mechanisms of living processes: animist encounter on reading the traces of life, growth and infiltration. | ||
The research encounter development of an idea based on the construction of a habitat. It is presented as iconic symbol of home and common ground for familiar happenings in society. It reveals an organic appropriation of the space: a scenario of changes within the ultimate revenge from nature towards humanity. The interference of termites is essential on the degradation process of the house: by eating the wood the structure will collapse. The presence, participation and performance of human, is presented by its living daily life and the adaptation along the changes that might happen until the end of the collapsing process. The surrounding reality is presented as the main entrance for a social sculpture. Through an ontological system, based on rethinking the immanent world of living beings, that invade alter and affect its own trajectory. A survival, a reconstruction of what is lost in order to recover what is present. A given tool, an ideological filter of reality defined by the natural cycle of nature processes. A socio-Political re-construction of “nature to nature”. | The research encounter development of an idea based on the construction of a habitat. It is presented as iconic symbol of home and common ground for familiar happenings in society. It reveals an organic appropriation of the space: a scenario of changes within the ultimate revenge from nature towards humanity. The interference of termites is essential on the degradation process of the house: by eating the wood the structure will collapse. The presence, participation and performance of human, is presented by its living daily life and the adaptation along the changes that might happen until the end of the collapsing process. The surrounding reality is presented as the main entrance for a social sculpture. Through an ontological system, based on rethinking the immanent world of living beings, that invade alter and affect its own trajectory. A survival, a reconstruction of what is lost in order to recover what is present. A given tool, an ideological filter of reality defined by the natural cycle of nature processes. A socio-Political re-construction of “nature to nature”. | ||
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- | + | ** | |
- | 2- Trajectory/ | + | |
+ | ** | ||
Under the umbrella of Apass artistic research program in Belgium, one-year research has been followed in 2009/2010. An intuitive approach, which involves a deep rethink: about Human and Nature politics, space diagnosis and its symbiotic mutual relation. | Under the umbrella of Apass artistic research program in Belgium, one-year research has been followed in 2009/2010. An intuitive approach, which involves a deep rethink: about Human and Nature politics, space diagnosis and its symbiotic mutual relation. | ||
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- | + | ** | |
- | 3- Symptoms: Illness / malfunctions: | + | |
The perception and analyses of illness that invade the spatial organism, is settled in different categories and levels, namely spatial invasion and Human disorder. Each disorder is related metaphorically to social behavior within human relations. | The perception and analyses of illness that invade the spatial organism, is settled in different categories and levels, namely spatial invasion and Human disorder. Each disorder is related metaphorically to social behavior within human relations. | ||
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- | + | ** | |
- | 4- Art and science towards a political engagement | + | |
- | What are the borders of raising a poetical awareness and a political change? How to bring change and awareness into the system, by not staying in a poetical level? | + | // |
+ | What are the borders of raising a poetical awareness and a political change? How to bring change and awareness into the system, by not staying in a poetical level? | ||
Political /ecological art does not sick to protect nature, it seek to generate changes. If the truth is living under need the surface of artistic research, this project is meant to reclaim the ultimate truth from nature to nature. It is not suppose to be a product of artistic research, but interference in the system of nature: resulting from collaboration between art/ | Political /ecological art does not sick to protect nature, it seek to generate changes. If the truth is living under need the surface of artistic research, this project is meant to reclaim the ultimate truth from nature to nature. It is not suppose to be a product of artistic research, but interference in the system of nature: resulting from collaboration between art/ | ||
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- | 5- The House | + | - 5- The House |
- | 5.1.Concept: | + | 5.1.Concept: |
The intention is to research about sustainable strategies to build a wounded house, as if its surrounding reality is presented as the main entrance for a “wounded social sculpture”. The house is a result of a research done during two years about wounded spaces. It is a construction of an architecture body, which has an internal dysfunction on its own metabolism. It is a body that grows out of alienation within its own species, others species and the environment where it grows. As if it’s born out of an existent infected body, like a spreading cancer. | The intention is to research about sustainable strategies to build a wounded house, as if its surrounding reality is presented as the main entrance for a “wounded social sculpture”. The house is a result of a research done during two years about wounded spaces. It is a construction of an architecture body, which has an internal dysfunction on its own metabolism. It is a body that grows out of alienation within its own species, others species and the environment where it grows. As if it’s born out of an existent infected body, like a spreading cancer. | ||
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+ | ** | ||
+ | 5.2. Description of the structure: | ||
- | 5.2. Description of the structure: | ||
It is a house, a living organism within its own ecosystem, and mechanisms of sustainability. In order to build a house, in a territory of changes and interconnectivity, | It is a house, a living organism within its own ecosystem, and mechanisms of sustainability. In order to build a house, in a territory of changes and interconnectivity, | ||
By learning from the laws of nature in its complex diversity, | By learning from the laws of nature in its complex diversity, | ||
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- | 5.2.1.Security measurements: | + | **5.2.1.Security measurements: |
The wooden house will be surrounded by a second structure as incubation system. It is a “cube” inside a “cube”. The second cube works as physical protection for termites escape, it will be made out of a repulsive film (barrier for termites). The underground protection is 5 meters deep, and it needs a second layer in cement. Because the termites will be first placed under need the structure, and they need time and space to adapt to a new ecosystem. | The wooden house will be surrounded by a second structure as incubation system. It is a “cube” inside a “cube”. The second cube works as physical protection for termites escape, it will be made out of a repulsive film (barrier for termites). The underground protection is 5 meters deep, and it needs a second layer in cement. Because the termites will be first placed under need the structure, and they need time and space to adapt to a new ecosystem. | ||
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Perspective of the house | Perspective of the house | ||
- | 5.2.3. External visitors/ audience participation: | + | **5.2.3. External visitors/ audience participation: |
First of all the house is a meeting laboratory, therefore all living beings are invited to contribute in this human reflection. Duo to the social interconnectivity, | First of all the house is a meeting laboratory, therefore all living beings are invited to contribute in this human reflection. Duo to the social interconnectivity, | ||
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- | + | ** | |
- | 5.2.2. After collapsing: What is left? | + | 5.2.2. After collapsing: What is left**? |
The end of the project is an historical moment. It is a collapse caused by artistic and scientific creation, interference, | The end of the project is an historical moment. It is a collapse caused by artistic and scientific creation, interference, | ||
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- | 4-Performance | + | - 6-Performance |
- | 4.1. Concept | + | 6.1. Concept** |
The performance encounters a physical and mental adaptation to changes in the space. The acceptance and the unexpected intervention involves an understanding that the artist witnesses the transformation of the space in her daily live, since the idea is to stay inside the house until its collapse, as if it is her own home. The production of new meanings occurs when the metaphor is expressed by interference in everyday life, such as the decomposition of the furniture, openings and grooves in the structure of the house. | The performance encounters a physical and mental adaptation to changes in the space. The acceptance and the unexpected intervention involves an understanding that the artist witnesses the transformation of the space in her daily live, since the idea is to stay inside the house until its collapse, as if it is her own home. The production of new meanings occurs when the metaphor is expressed by interference in everyday life, such as the decomposition of the furniture, openings and grooves in the structure of the house. | ||
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- | 4.2. Duration: | + | **6.2. Duration:** |
Once the order corresponds to the time when the collapse occurs in the house, | Once the order corresponds to the time when the collapse occurs in the house, | ||
this is a long-term performance with no scheduled date for an end. The duration is defined by the speed with which organisms take ownership of the space. The end, is the moment when the nature conquers the human habitat. However, the forecast is calculate for about six months. | this is a long-term performance with no scheduled date for an end. The duration is defined by the speed with which organisms take ownership of the space. The end, is the moment when the nature conquers the human habitat. However, the forecast is calculate for about six months. | ||
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- | 6- Research | + | ** - 7- Research |
- | 6.1. Methodology | + | 7.1. Methodology** |
Research period, works as a political awareness within the collapsing methodology. It is period to focus on the development of strategies on the collapsing systems. | Research period, works as a political awareness within the collapsing methodology. It is period to focus on the development of strategies on the collapsing systems. | ||
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- | 6.2. Research and Residencies: | + | **7.2. Research and Residencies: |
Past research: | Past research: | ||
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http:// | http:// | ||
http:// | http:// | ||
- | www.cirad.fr (dates coming soon) | + | |
- | http:// | + | |
- | http:// | + | |
- | | + | |
| | ||
- | | + | **Presentation of the project:** |
Past presentation: | Past presentation: | ||
21/06/2011 Summercampelectried at timelab | 21/06/2011 Summercampelectried at timelab | ||
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- | 7. Collaborations/ | + | - 8. Collaborations/ |
+ | ** | ||
This project aims an intersection and collaboration between art, science and architecture. | This project aims an intersection and collaboration between art, science and architecture. | ||
The organizations involved and committed to this project are: | The organizations involved and committed to this project are: | ||
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The architecture studio, BCS (BuildingCaseStudies) which aims the study and design of the house and its decomposition as an architectural structure witch ensure an effective collapse. http:// | The architecture studio, BCS (BuildingCaseStudies) which aims the study and design of the house and its decomposition as an architectural structure witch ensure an effective collapse. http:// | ||
Ken de Cooman is the architect involved on the project. | Ken de Cooman is the architect involved on the project. | ||
- | The future partners are still in discussion and evaluation. | ||
- | The result from the dossier for design/ | ||
- | |||