Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revisionBoth sides next revision
the_art_of_futuring [2019-03-13 16:13] majathe_art_of_futuring [2019-03-13 16:21] maja
Line 20: Line 20:
  
  
-The Art of Futuring Workshop offered a hands-on experience of futuring techniques for artists, arts organisations and other members of the cultural proletariat. Futuring techniques were introduced through experiential learning. We experimented with techniques for analysing the current situation and emergent signals. We speculated on future scenarios and prototype futures as embodied experiences in the present. We used these experiments to reflect on the futuring methods, on the applicability of futuring in the participants' work and life, and on the need for a more widespread futures literacy in uncertain times. +The Art of Futuring Workshop offered a hands-on experience of futuring techniques for artists, arts organisations and other members of the cultural proletariat. In addition to mainstream futuring methods like horizon scanning or scenario building, we looked at techniques that are related to (or can be useful for) performing arts. Futuring techniques were introduced through experiential learning. We experimented with techniques for analysing the current situation and emergent signals. We speculated on future scenarios and prototype futures as embodied experiences in the present. We used these experiments to reflect on the futuring methods, on the applicability of futuring in the participants' work and life, and on the need for a more widespread futures literacy in uncertain times. 
  
 <blockquote>The conundrum of the Unthinkable and the Unimaginable is everyone’s issue – certainly not just ‘futurists’, nor designers, nor those who happen to have dedicated themselves to political theory or activism; nor just the displaced former residents of New Orleans, nor yet the casualties of Detroit’s seemingly inexorable decline. It is everyone’s problem. Futures studies is a community of thinkers that has defined and directly addressed it as such. But the Great Conversation needs to belong to us all, as do all the discursive technologies, principles of experiential futures design, and other paraphernalia of wiser, ongoing conversation and political self-reinvention. <blockquote>The conundrum of the Unthinkable and the Unimaginable is everyone’s issue – certainly not just ‘futurists’, nor designers, nor those who happen to have dedicated themselves to political theory or activism; nor just the displaced former residents of New Orleans, nor yet the casualties of Detroit’s seemingly inexorable decline. It is everyone’s problem. Futures studies is a community of thinkers that has defined and directly addressed it as such. But the Great Conversation needs to belong to us all, as do all the discursive technologies, principles of experiential futures design, and other paraphernalia of wiser, ongoing conversation and political self-reinvention.
Line 358: Line 358:
   * etc.   * etc.
  
-Interesting futurists and futures-oriented individuals and organisations:+Interesting futurists and futures-oriented individuals and organisations, working close to the arts or design:
   * [[http://superflux.in/|Superflux]] and [[https://twitter.com/anabjain|Anab Jain]]   * [[http://superflux.in/|Superflux]] and [[https://twitter.com/anabjain|Anab Jain]]
   * [[http://www.changeist.com/|Changeist]]   * [[http://www.changeist.com/|Changeist]]
  • the_art_of_futuring.txt
  • Last modified: 2024-04-02 12:33
  • by nik